Series: Monsters of Verity #1
Published by Greenwillow Books on July 5, 2016
Genres: Fantasy, Young Adult
There’s no such thing as safe in a city at war, a city overrun with monsters. In this dark urban fantasy from author Victoria Schwab, a young woman and a young man must choose whether to become heroes or villains—and friends or enemies—with the future of their home at stake. The first of two books.
Kate Harker and August Flynn are the heirs to a divided city—a city where the violence has begun to breed actual monsters. All Kate wants is to be as ruthless as her father, who lets the monsters roam free and makes the humans pay for his protection. All August wants is to be human, as good-hearted as his own father, to play a bigger role in protecting the innocent—but he’s one of the monsters. One who can steal a soul with a simple strain of music. When the chance arises to keep an eye on Kate, who’s just been kicked out of her sixth boarding school and returned home, August jumps at it. But Kate discovers August’s secret, and after a failed assassination attempt the pair must flee for their lives.
THIS SAVAGE SONG is the first in the Monsters of Verity series, a new YA fantasy series from Victoria Schwab. In a destroyed America, monsters rule the dark, and people cling to whatever bits of safety and normality they can find. Well, most people — Kate Harker and August Flynn excluded.
Kate’s father rules half Verity. People pay him for safety, and he keeps the Corsai and Malchai monsters from killing those people. He’s a vicious crime boss, and Kate wants to be exactly like him. She wants to prove to her father that she’s a Harker, worthy of being his heir.
August’s adopted father rules the other half of Verity. His people fight the Corsai and Malchai for safety. But Henry Flynn has a secret weapon: August and his siblings are Sunai. Sunai are monsters too, but different from the Corsai and Malchai. Sunai are avengers.
The worldbuilding is a bit complicated in THIS SAVAGE SONG. I would have liked more about the different types of monsters and how they came into existence. There are mentions of “the Phenomenon,” but I don’t remember an explanation or information about it. I did like the idea of violence breeding violence, and the author doing a little exploring of good versus evil, black and white versus shades of grey. I hope there’s more of that in the rest of the series.
THIS SAVAGE SONG also looks at what it means to be human and what it means to be a monster. Kate wants to be a monster, just like her father. August wants to be a human, but that’s impossible. I quite liked the Sunai, but it would spoil too much to go into why. So I’ll just say I liked what the author did with all three of them.
I was also super happy to find that there’s no romance in THIS SAVAGE SONG! It’s so refreshing to not have an insta-love romance crammed down my throat, distracting me from the other good stuff in the book. I’m so happy the author didn’t go that route here. Yes, Kate and August are thrown together, and must work together to save each other’s lives, but they don’t waste time making googly eyes at each other.
I am eager to see what else Victoria Schwab has in mind for Kate and August, and the other Monsters of Verity. Bring on book two!
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